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Posted in Extremely Extreme Photoshop, Photographic Optics on Dec 20th, 2007
I’ve been asked by a couple of people lately about a cinematic technique that is evidently still in demand: The Dolly Zoom (or “Zolly”). The camera position is apparently static while the background zooms either toward or away from the viewer.
Posted in Extremely Extreme Photoshop on Oct 11th, 2007
It does one no good to specify a color for print output that your printer cannot produce. It’s also counterproductive to use cached Histogram data to make certain technical decisions about image purposing. PS identifies and abbreviates the resolution for such problems.
Posted in Extremely Extreme Photoshop on Oct 6th, 2007
Have you ignored a Photoshop capability simply on the presumption that it was extremely technical, confusing, and not worth the Learning Curve? Have you ever been backed into a corner and finally decided to try that capability only to learn that it was more powerful than you could imagine…and simple, too? Welcome to “Splitting the [...]
Posted in Extremely Extreme Photoshop on Oct 5th, 2007
Here’s another Photoshop tool that is deceptively easy to administer-it has just three Sliders-but can be used produce incredibly powerful Layer Masks or to effectively and accurately compensate for Color Temperature and other global bias issues (local issues too, if you Layer Mask). Welcome to “Colorize” in your Hue/Saturation (Ctl-U) Dialogue Box!
Posted in Extremely Extreme Photoshop on Oct 4th, 2007
Some of the most potent tools in Photoshop are not very popular. Often it is because they are tremendously confusing, such as Black Point Compensation. Other times it’s because you have to hunt and peck to find their control dialogues. Yet others are positioned within their Dialogue Box in such a way that they never [...]
