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Posted in Extremely Extreme Photoshop on Dec 6th, 2008
Chromatic Aberrations are anathema in photography. They are recognizable even at modest enlargements in Photoshop (e.g. 50%) and may be resolved-to a great extent-in Adobe’s Camera RAW.
Posted in Color Science, Extremely Extreme Photoshop on Nov 9th, 2008
Adobe’s recently introduced Photoshop CS4 and Adobe Camera RAW 5.1 applications can team up for what may be the ultimate nondestructive workflow.
Posted in Extremely Extreme Photoshop on Nov 8th, 2008
Photoshop CS4 is a substantially more mature product than its predecessors. One of the most clever and promising new features is the Curves On-Image Adustment Tool.
Posted in Color Science, Extremely Extreme Photoshop on Apr 15th, 2008
For some time…since about the time I hooked into medium format Portra NC160 (long story as to why)…I’ve been obsessed with extreme contrast imaging.
Posted in Color Science, Extremely Extreme Photoshop on Apr 14th, 2008
Camera RAW 4.4.1 has arrived. We’re shooting 1DsMIII 14 bit files, and I’m starting to feel uncomfortable doing my coarse developing in any other editor.
Posted in Extremely Extreme Photoshop on Feb 29th, 2008
A Potential Problem Toggling Alternative Displays in Photoshop
Posted in Color Science, Extremely Extreme Photoshop on Dec 30th, 2007
Mike Russell’s CurveMeister, v3, is simply incredible.
Posted in Extremely Extreme Photoshop on Dec 22nd, 2007
Gradient Maps can produce some very interesting effects. Given clever manipulations, including Transparency adjustments, Blending Modes, and their application in tandem with Filters to manipulate Layer Masks, Gradient Maps prove themselves to be extraordinarily controllable and powerful tools.
Posted in Extremely Extreme Photoshop, Photographic Optics on Dec 20th, 2007
I’ve been asked by a couple of people lately about a cinematic technique that is evidently still in demand: The Dolly Zoom (or “Zolly”). The camera position is apparently static while the background zooms either toward or away from the viewer.
Posted in Extremely Extreme Photoshop on Oct 11th, 2007
It does one no good to specify a color for print output that your printer cannot produce. It’s also counterproductive to use cached Histogram data to make certain technical decisions about image purposing. PS identifies and abbreviates the resolution for such problems.
