Idaho Airships, Inc.Aerial & Technical Photography, Photoshop & Flash Blog. |
Posted in Aerial Photography, Extremely Extreme Photoshop on Feb 15th, 2010
Here’s another image mosaic-it’s actually made up of smaller aerials which are a collection of images shot throughout the construction progress on the East Parkcenter Bridge in Boise.
Posted in Aerial Photography, Extremely Extreme Photoshop on Feb 13th, 2010
Here’s a tutorial on resolving haze in aerial photography.
Posted in Aerial Photography, Extremely Extreme Photoshop, Photographic Optics on Feb 4th, 2010
Manipulating the Depth of Field in photography and videography is the new “Hotness.” It’s not best to simply apply a graduated Blur in Photoshop-the effect is far too coarse and does not approximate certain ideosyncracies of a larger aperture.
Posted in Architectural Photography, Extremely Extreme Photoshop on Apr 7th, 2009
This was a tough shoot-several days long, scheduled around weather.
Posted in Aerial Photography, Extremely Extreme Photoshop on Mar 16th, 2009
Here’s an interesting capability-an aerial portrait of the new Meridian City Hall-composed of hundreds of smaller aerials taken over the course of its construction.
Posted in Extremely Extreme Photoshop, Flash on Feb 8th, 2009
I think it prudent to again publicly explain my scoring of the Professional Aerial Photographers’ Association, International 2009 Iron Photoshop contest.
Posted in Extremely Extreme Photoshop on Jan 8th, 2009
The Professional Aerial Photographers Association, International is getting together in Tampa, Florida during the first week of February. We’ll do all of the sorts of things that all people do at conventions…except for wearing lampshades, I suspect. One of the things that we’ll be doing that may leave just as bad a hangover is the 2009 PAPA Iron Photoshop Contest.
Posted in Aerial Photography, Extremely Extreme Photoshop on Dec 21st, 2008
Here are some examples of depth-of-field (DOF) manipulations on a few aerial images.
Posted in Color Science, Extremely Extreme Photoshop on Dec 14th, 2008
Typically, practitioners aren’t forced to use Adjustment Layers though it is one of Photoshop’s most established “Best Practices.”
Posted in Extremely Extreme Photoshop on Dec 6th, 2008
Chromatic Aberrations are anathema in photography. They are recognizable even at modest enlargements in Photoshop (e.g. 50%) and may be resolved-to a great extent-in Adobe’s Camera RAW.
